jueves, 26 de junio de 2014

LEARNING ENGLISH SHORT STORIES


Short story

The authors of the modern English short story “no longer attempt to make daily life more entertaining by inventing exotic plots. Instead, modern short story writers have tended to base their narratives on their own experience; here the focus is much more on the less spectacular aspects of life, on the significance underlying what is apparently trivial. The result of such perceptive writing is perfection of form, harmony of theme and structure, and precision of style to reveal the subtleties of the human mind and of human behaviour.


what is a short story?


A short story is a brief work of literature, usually written in narrative prose. Emerging from earlier oral storytelling traditions in the 17th century, the short story has grown to encompass a body of work so diverse as to defy easy characterization. At its most prototypical the short story features a small cast of named characters, and focuses on a self-contained incident with the intent of evoking a "single effect" or mood. In doing so, short stories make use of plot, resonance, and other dynamic components to a far greater degree than is typical of an anecdote, yet to a far lesser degree than a novel. While the short story is largely distinct from the novel, authors of both generally draw from a common pool of literary techniques.
Short stories have no set length. In terms of word count there is no official demarcation between an anecdote, a short story, and a novel. Rather, the form's parameters are given by the rhetorical and practical context in which a given story is produced and considered, so that what constitutes a short story may differ between genres, countries, eras, and commentators. Like the novel, the short story's predominant shape reflects the demands of the available markets for publication, and the evolution of the form seems closely tied to the evolution of the publishing industry and the submission guidelines of its constituent houses.
The short story has been considered both an apprenticeship form preceding more lengthy works, and a crafted form in its own right, collected together in books of similar length, price, and distribution as novels. Short story writers may define their works as part of the artistic and personal expression of the form. They may also attempt to resist categorization by genre and fixed form.
  • What are some of the elements that make up a good story?
a) A short story is a piece of prose fiction which can be read at a single sitting.
b) It ought to combine matter-of-fact description with poetic atmosphere.
c) It ought to present a unified impression of temper, tone, colour, and effect.
d) It mostly shows a decisive moment of life (which can entail a fatal blow).
e) There is often little action, hardly any character development, but we get a snapshot of life.
f) Its plot is not very complex (in contrast to the novel), but it creates a unified impression and leaves us with a vivid sensation rather than a number of remembered facts.
g) There is a close connection between the short story and the poem as there is both a unique union of idea and structure.
The short story is a piece of art that tries to give us a specified impression of the world we live in. It aims to produce a single narrative effect with the greatest economy of means and utmost emphasis.


  • The importance of telling stories to children
Telling stories to children is a habit that stayed in the past, back to our parents and grandparents; a classic scene that was trapped in the TV. Today's parents are so saturated with tasks that we have no time for our children, let alone read them a bedtime story.
The our children read a story every night is more than just a lull activity can significantly benefit them both them and us, for example did you know to read language and stimulate her imagination?, Do you get to relax and relax creating stronger links between the two? And these are just some of the benefits of this activity, you can mention more:


©      Listening to stories makes the most thoughtful children, and that they always find a message that leads them to understand how they should act and behave, namely to distinguish between good and bad.
©      It helps to fight their own fears. In many of the stories the child can identify with the emotions of the protagonists, and know the outcome and what will happening throughout history, of having arguments to address their own fears, with a feeling of greater control .
©      The story is one of the foundations for the intellectual development of the child, to tell a story we can understand things get faster, his brain working with greater certainty.
©      His memory and his desire to express is encouraged.
©      Develop and expand the capabilities of perception and understanding of the child.
©      Increase their sensitivity.
©      In child is happy because his parents are with him, giving him time to attend to and pamper.
©      It encourages reading and love of books in our children, as the interest aroused them the magic and adventure-filled stories captured in those pages, increase their desire to know more stories, so it's easy to end up loving reading.
©      The child learns more words, his vocabulary is broader and this aspect will help a lot later, because you can read far better and therefore have better school performance.
©      Children whose parents frequently read stories, make good listeners and retention, very necessary elements for effective learning.
©      Through the story we get to interact much with our children, we can to earn your trust and tell us about the everyday things that happen to them also about difficult situations they are living.
©      Believe it or not parents, through story reading our children can learn about history, human and animal life; letters, colors, numbers, words in another language, etc.. without them it boring.

  •    How to tell stories to your children?
To have the time to tell a story is a time eagerly awaited by children and observe the positive effects they have mentioned them before, we must take into account:
  • Select a comfortable place to read sufficiently illuminated. 
  • Make sure that when reading to your child is magical, do a ritual that he and you look forward to enjoying and liking.
  • Tells the tale with joy and enthusiasm you attract the child's attention, failed to understand the story and get the message. And when the child asks you again tell him, you do it with the same emotion.
  • Especially in very young children, it is important to repeat several times the different scenes of the story trying to use the same words. 
  •   As it allows this telling the story, the child can see the pictures.
  • Allow the child to participate as much as possible, both in choosing the story to read (can give you many track that choice on their interests or concerns), as when interrupts.
  • When the child is tired do not force him to continue, and it will no longer be a rewarding activity for him.
  • Sometimes reading other stories and listen to them, this will also be located at different height of the child who hears, and that creates an emotional and great complicity between the two current.
  • Later in the day, ask your child to draw any of the characters or scenes you've read the story yesterday. That may seem scribbling strokes that have large messages, since there will be expressed fears, expectations and interests that move you.
  • Another way to know your reaction to the story is the child asking questions related to the story, for example if he likes, that seemed, who were in the story, etc.. 





  • LISTENING EXERCISE
  • these listening exercise will help you to find you knowledge about short story.some  listening such as day at the school, dinner time and summer camp.

http://www.esl-lab.com/dear/dearrd1


Children will get a quikest knowledge about the story if you show them a video of the tale.here a video about the Lion and the Mouse.





After  watch the video, you have some  activities that will help you to understand clearly the story.

PRACTICE

Write lion or mouse.
1. The  is sleeping.                      6. The  is big.
2. The  is sorry.                        7. The  runs away.
3. The  is angry.                         8. The  chews the net.
4. The  is hungry.                        9. The  makes a big hole.
5. The  is scared.                      10. The  is kind.

                               
  
Tick a true or false box.
                                                                true    false                                                               
1. One day the mouse is sleeping.                                 
2. The lion is surprised to see the mouse.            
3. The mouse is sorry.                                          
4. "Don't eat me," says the mouse.                       
5. The lion eats the mouse.                                  
6. The mouse runs away.                                     
7. The lion runs after the mouse.                         
8. A net falls over the lion.                                    
9. The lion needs help.                                        
10. The mouse helps the lion.                             



 *     Comprehension questions.Choose the best answer
1. What is a lion doing one day?  
     2. Who is running in front of him? 
     3, Who  wakes up? 
     4. Who is angry? 
     5, Is the lion hungry? 
     6. Does the lion eat the mouse? 
     7.Where is the lion walking one day? 
     8. What falls over him? 
     9. What does he roar? 
     10. Who hears him? 
     11. What does the mouse chew? 
     12. Who is kind? 








welcome  to read this story because it is very important  to stimulate your imagination, here you'll find a black cat story.




Reader’s theater 
Reader’s theater  is minimal theater in support of literature and reading. There are many styles of reader’s theater, but nearly all share these features:
  • Narration serves as the framework of dramatic presentation.
  • No full stage sets. If used at all, sets are simple and suggestive.
  • No full costumes. If used at all, costumes are partial and suggestive, or neutral and uniform.
  • No full memorization. Scripts are used openly in performan.





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